![]() often gets the credit for helping initiate the low-fi scene with his four-track bedroom recordings beginning in the mid-1980s and is one of two primary songwriters in the quintessential slacker-pop band of the '90s, Sebadoh.Īll of which may suggest that the prolific Barlow is a songwriter with a narrow niche, a voice too edgy and neurotic for mainstream consumption. ![]() No wonder Lou Barlow's career could pass for an indie-rock time line: He helped shape the early sound of seminal noise-guitar shriekers Dinosaur Jr. ![]() The whole year was incredible, though, littered with albums that still influence how we listen to heavy music today.He once wrote a song called "Gimme Indie Rock!," a sarcastic indictment and a giddy celebration of the rock underground in all its muddled, pre-Nirvana/"Nevermind" glory. Looking back, there’s still a tendency to romanticise 1991’s outrageous late-summer avalanche of all-time classics (Nirvana’s Nevermind, Red Hot Chili Peppers’ Blood Sugar Sex Magik, Pearl Jam ’s Ten, alongside the aforementioned Guns N’ Roses’ Use Your Illusion double-album and Metallica’s ‘Black Album’ dropping in the space of six wild weeks). Hell, even supposed hard rock saviours Guns N’ Roses and legendary thrash stalwarts Metallica dared branch out further into expansive stadium-rock than most fans had dared imagine. sounds – from British shoegaze to Floridian death metal to Californian funk-rock – also began to break through. Emerging from beneath the grey skies of the United States’ Pacific Northwest, this was the annus mirabilis where grunge properly exploded, while a host of adjacent alt. The changing of the guard was well and truly underway by the second year of the 1990s.
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